“Tan lejos ,tan cerca. In weiter ferne, so nah.” (So far,
so close) reveals the desire to transform dreams into
reality, reflects the physical and invisible distance, that we make visible
through the material, our personal work.
Our aim is to display
the essence of our characteristics and to bring fragments of Argentinian
contemporary jewelry into a space intended for meeting and conversation. We
wish to stimulate the desires between the beholder, the wearer and the maker,
in an attempt to narrow distances.
Sabina
Tiemroth has been working on a particular
collection "itself". Using the remnants of fabric salvaged threads,
she works with the idea of the Line as the main element of construction.
The same line, same material, that folds in on itself as roads, forming reliefs and volume, internal spaces and voids that lead to something new... to infinity”
The same line, same material, that folds in on itself as roads, forming reliefs and volume, internal spaces and voids that lead to something new... to infinity”
For Francine Schloeth the concept of her "NOIRE" series in plaster
and foam is the result of an expressive minimalist search. Grades of black that
involve variations of light and shade. Solitary and grouped shapes with a fully
smooth or textured relief presence.
Patricia
Gallucci will stimulate a certain intimacy with the jewel from the delicate,
subtle and ephemeral. Her “Broken” series focuses on the concept of fracture as
revealing the fragility and nature of the material. Action, accident and chance
are a vehicle to provoke curiosity, discovery, contemplation, acceptance and
re-assessment of a piece. Opening a new world into the object; changing
frustration by illusion.
Alejandra Koreck chooses as concept the border between sense and nonsense
in her written jewels. She takes the text as texture, weaving sense and
emptiness. She develops her own personal technique and uses poetry, paper,
cloth, synthetic raffia and metal to generate different morphologies.
For Iacov Azubel the leaves of the tree of life are responsible for feeding
the trunk through experiences, anecdotes, facts and memories, printing and
defining us as individuals. He works with gold foil, silver, lacquer and
textiles through artisan weaving techniques.
Luz
Arias merges the body with the desire, the colour, and the playful, to show her
interest in a joyful dialog. She combines metals and woods, the assembly,
nudity and hidden emotions. Being crossed by softness and finding the lust of serene
smoothness.
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